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Estereotipos de género presentes en el cine y la literatura. Análisis de los personajes masculinos y femeninos de la saga Crepúsculo
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
Nowadays, to talk about cinema means to accept it as a powerful way to transmit information. Also, cinema is a means of transmission of contents of various types, at the same time that it has wide acceptance among the ...
Antonio cuestionado: El mercader de Venecia (2004) de Michael Radford y el problema del heterosexismo
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
The logical preoccupation with how to represent Shylock after the Holocaust too often prevents addressing in depth other problematic aspects of Shakespeare’s The Merchant of Venice, such as the nature of the intense ...
El deporte en la animación: una narrativa prejuiciosa
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
Throughout life different socialization processes are assumed and we live with different agents of socialization. At present the gradual exposure to information and messages, through the media, leads us to modify the ...
Sobre el género y géneros: una lectura feminista de los juegos del hambre
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
The beginning of the 21st century has witnessed the success of young adult literature, particularly in the form of sagas adapted to the screen which, with their expanded universes, have turned into mass phenomena with the ...
«She won’t thank you, she’s mad»: la escisión de la feminidad victoriana en The French Lieutenant’s Woman (Karel Reisz, 1981)
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
The French Lieutenant’s Woman (Karel Reisz, 1981), an adaptation of the novel by John Fowles published in 1969, is set in a divergent space both as regards of the structure of the story as to the construction of its lead ...
Soledad y no-lugares: la mujer hopperiana en la novela de Jean Rhys. Viaje a la oscuridad
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
During the last decades, the concept of solitude has been articulated by the feminist discourse as an integrating process for women, driving them towards self-analysis beyond gender constructions (Lagarde, 2012). However, ...
La popularización del arquetipo del homosexual en la comedia cinematográfica del tardofranquismo
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
Durante década de los 70 del siglo XX, España experimentó las consecuencias del recrudecimiento represor del tardofranquismo en tensión con el crecimiento visible de las fuerzas de oposición al Régimen. Con este marco de ...
Los discursos fílmicos de las cineastas en España
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
This article analyses the filmic narrative of Spanish women directors from the transition to the democracy, considering its connection with the feminist movement. We shall argue that the discourses of women filmmakers such ...
Angelina Beloff y Leonora Carrington bajo la mirada de Elena Poniatowska
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
This research focuses on the look that one of the great writers of our time, the Mexican Elena Poniatowska (Paris, 1932), gives to artists such as the Russian painter and engraver Angelina Petrovna Belova, commonly called ...
Las mujeres inmigrantes vistas por el cine español en los albores del siglo XXI
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
Ever since its inception, Spanish cinema has been interested in the different, although you have to wait until the nineties to find films that address the problem of immigration as a central subject. However, many of these ...