Hiperencuadre/Hiperrelato: Apuntes para una narratologia del film postclásico
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Título
Hiperencuadre/Hiperrelato: Apuntes para una narratologia del film postclásicoAutoría
Fecha de publicación
2012Editor
Departamento de Comunicación Audiovisual y Publicidad y Literatura (Universidad de Sevilla)ISSN
1989-600XTipo de documento
info:eu-repo/semantics/articleVersión de la editorial
http://www.revistacomunicacion.org/index.htmPalabras clave / Materias
Resumen
The film discourse has constantly fought to adapt and struggle with the competitor screens that have arisen with the digital revolution, which has transformed its own texture. We can sort these transformations in two ... [+]
The film discourse has constantly fought to adapt and struggle with the competitor screens that have arisen with the digital revolution, which has transformed its own texture. We can sort these transformations in two large kinds. On the one hand, the staging and conception of the raccord have given rise to what we'll denominate hyperframe, in which the cinematic screen is being offered as enclosure of all the screens that contends with (computer, video surveillance, satellite images, etc. ). On the other hand, the cinema postclassic chooses the deconstruction of the narrative linearity and the deployment of different plots and levels of action and representation that lead us to the notion of hipernarration. [-]
Publicado en
Revista Comunicación, 2012, Vol. 1, num. 10Derechos de acceso
http://rightsstatements.org/vocab/CNE/1.0/
info:eu-repo/semantics/openAccess
info:eu-repo/semantics/openAccess
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