Wordarrows: The performative power of language in N. Scott Momaday’s non-fiction work
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Mostrar el registro completo del ítemcomunitat-uji-handle:10234/10
comunitat-uji-handle2:10234/158177
comunitat-uji-handle3:10234/28245
comunitat-uji-handle4:10234/54659
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Título
Wordarrows: The performative power of language in N. Scott Momaday’s non-fiction workAutoría
Fecha de publicación
2012-12Editor
Universitat Jaume IISSN
1989-7103Cita bibliográfica
Brígido-Corachán, ANNA M..Wordarrows: The performative power of language in N. Scott Momaday’s non-fiction work.Language Value, 2012, vol. 4.2, p.56-69Tipo de documento
info:eu-repo/semantics/articlePalabras clave / Materias
Resumen
This article focuses on two non-fiction works by Native American author N. Scott Momaday: his 1969 historical memoir The Way to Rainy Mountain and his essay collection The Man Made of Words It specifically tackles ... [+]
This article focuses on two non-fiction works by Native American author N. Scott Momaday: his 1969 historical memoir The Way to Rainy Mountain and his essay collection The Man Made of Words It specifically tackles performative conceptions of language in the Kiowa storytelling tradition, where words are experienced as speech acts that have the power to intervene in surrounding realities. Taking into account 20th century ethno-cultural and linguistic policies in the United States, the article also reflects on the role indigenous languages may play in contemporary Native American Literature, which has most often been written in English. [-]
Derechos de acceso
info:eu-repo/semantics/openAccess