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dc.contributor.authorBenet-Ferrando, Vicente J.
dc.date.accessioned2012-02-17T13:09:15Z
dc.date.available2012-02-17T13:09:15Z
dc.date.issued2010
dc.identifier.issn1991-9336
dc.identifier.urihttp://hdl.handle.net/10234/32056
dc.description.abstractIn the early 1980s Spanish directors José Luis Borau and Bigas Luna produced two films – 0n the Line and Reborn respectively – that offered a trans-national perspective on American society of the early Reaganite 1980s. On the Line focussed on the issue of trafficking Mexican immigrants; Reborn dealt with tele-evangelism. Both narratives were presented as challenges to American unity as identified in the conservative social and cultural values of the time. Each film raised the issue of social hybridity and raised the question – to which both gave ambiguous answers – of whether different cultures can co-exist within a unified, monolithic American culture.
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.publisherEuropean Association for American Studies
dc.rights.urihttp://rightsstatements.org/vocab/CNE/1.0/*
dc.subjectNational identity
dc.subjectSpanish directors in America
dc.subjectTransnational film
dc.subjectMexican border
dc.subjectReagan Era
dc.subjectConservatism
dc.subjectSymbolism
dc.subjectReligion and mass media
dc.subjectIndependent film
dc.titleEldorado revisited: Spanish film- makers in Reagan’s America
dc.typeinfo:eu-repo/semantics/article
dc.rights.holderAttribution-NonCommercial 2.5 Generic (CC BY-NC 2.5)
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess
dc.relation.publisherVersionhttp://ejas.revues.org/8787


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