Temporary musical identity as a tool for rebuilding social place
comunitat-uji-handle:10234/9
comunitat-uji-handle2:10234/174799
comunitat-uji-handle3:10234/174800
comunitat-uji-handle4:
INVESTIGACIONThis resource is restricted
https://doi.org/10.1386/ijcm_00029_1 |
Metadata
Title
Temporary musical identity as a tool for rebuilding social placeDate
2020-12-01Publisher
IntellectISSN
1752-6299Bibliographic citation
RODRÍGUEZ-SÁNCHEZ, Andrea; CABEDO-MAS, Alberto. Temporary musical identity as a tool for rebuilding social place. international journal of community music, 2020, vol. 13, no 3, p. 235-252.Type
info:eu-repo/semantics/articlePublisher version
https://www.ingentaconnect.com/content/intellect/ijcm;jsessionid=h4gsjce15t9i0.x ...Version
info:eu-repo/semantics/publishedVersionSubject
Abstract
The armed conflict in Colombia leaves many families with no other option than to be displaced, which affects their social status and identity. This article reprises a qualitative study that analyses the life histories ... [+]
The armed conflict in Colombia leaves many families with no other option than to be displaced, which affects their social status and identity. This article reprises a qualitative study that analyses the life histories of eight families, all of whom were victims of the armed conflict, whose children participate in the Batuta National Foundation’s ‘Music for Reconciliation’ programme. The results of the study indicate that displacement impacted identity, resulting in the unsettlement of the social place of the participants. This was due to their anonymous state on arrival at their new places, with no support networks or social recognition. Together with the distrust created by the violence experienced, this led to attitudes of isolation, through which the individual became increasingly vulnerable to the dynamics of violence. This text analyses the concept of temporary musical identity, and the results show the possibilities that collective musical spaces offer for restoring the social place of the participants. [-]
Is part of
International Journal of Community Music, Volume 13, Number 3, 1 December 2020, pp. 235-252(18)Rights
http://rightsstatements.org/vocab/CNE/1.0/
info:eu-repo/semantics/restrictedAccess
info:eu-repo/semantics/restrictedAccess
This item appears in the folowing collection(s)
- EDE_Articles [420]