The Presence of the Imperial Past: Van Dyck’s Equestrian Portrait of Charles V of Spain and the Crisis of Valtellina (1621-1622)
![Thumbnail](/xmlui/bitstream/handle/10234/185860/Denes_Harai_ThePresenceOfTheImperialPast.pdf.jpg?sequence=5&isAllowed=y)
View/ Open
Metadata
Show full item recordcomunitat-uji-handle:10234/10
comunitat-uji-handle2:10234/158177
comunitat-uji-handle3:10234/32616
comunitat-uji-handle4:10234/185852
REVISTESMetadata
Title
The Presence of the Imperial Past: Van Dyck’s Equestrian Portrait of Charles V of Spain and the Crisis of Valtellina (1621-1622)Author (s)
Date
2019Publisher
Universitat Jaume I. Departamento de Historia, Geografía y ArteISSN
2340-499X; 1888-9867Bibliographic citation
HARAÍ, Denes. The Presence of the Imperial Past: Van Dyck’s Equestrian Portrait of Charles V of Spain and the Crisis of Valtellina (1621-1622). Potestas. Estudios del Mundo Clásico e Historia del Arte, 2019, no 15, p. 87-102Type
info:eu-repo/semantics/articlePublisher version
http://www.e-revistes.uji.es/index.php/potestas/article/view/3494Subject
Abstract
The representations of Charles V (1500-1558) made during his lifetime have been more thoroughly studied than those made after his death, perhaps because the imperial character of posthumous representations is less ... [+]
The representations of Charles V (1500-1558) made during his lifetime have been more thoroughly studied than those made after his death, perhaps because the imperial character of posthumous representations is less evident. Nonetheless, some of these representations could still convey such a character to respond to a political necessity. At the time of the Thirty Years’ War (1618-1648), this was the case of Anton van Dyck’s Charles V on Horseback. This article sheds new light on the origins, the commissioning and the date of execution of this painting by deciphering the imperial ambition which is inscribed in it. [-]
Las representaciones de Carlos V (1500-1558) realizadas durante su vida han sido estudiadas más que las elaboradas tras su muerte, quizás por el hecho de que el carácter imperial de las representaciones póstumas es ... [+]
Las representaciones de Carlos V (1500-1558) realizadas durante su vida han sido estudiadas más que las elaboradas tras su muerte, quizás por el hecho de que el carácter imperial de las representaciones póstumas es menos evidente. No obstante, algunas de estas representaciones podrían trasmitir este carácter con un fin político. Este fue el caso, durante la Guerra de los Treinta Años (1618-1648), del retrato de Carlos V a caballo de Anton van Dyck. Este estudio arroja luz sobre los orígenes, la ejecución, la datación y el significado político de esta pintura. [-]
Is part of
Potestas. Estudios del Mundo Clásico e Historia del Arte, 2019, no. 15Rights
info:eu-repo/semantics/openAccess
This item appears in the folowing collection(s)
The following license files are associated with this item: