Omnipresence of metaphors in God is a Woman music video: a filmic analysis
Metadata
Show full item recordcomunitat-uji-handle:10234/158176
comunitat-uji-handle2:10234/71324
comunitat-uji-handle3:10234/107304
comunitat-uji-handle4:
TFG-TFMThis resource is restricted
Metadata
Title
Omnipresence of metaphors in God is a Woman music video: a filmic analysisAuthor (s)
Tutor/Supervisor; University.Department
Bort-Mir, Lorena; Universitat Jaume I. Departament d'Estudis AnglesosDate
2019-06-05Publisher
Universitat Jaume IAbstract
Metaphors have always been considered linguistic devices (spoken or written). However, nowadays researchers claim that they can be examined from other perspectives because people use different means of expression to ... [+]
Metaphors have always been considered linguistic devices (spoken or written). However, nowadays researchers claim that they can be examined from other perspectives because people use different means of expression to create meaning beyond language (Bezemer & Jewitt, 2010). The aim of this paper is to analyse the use of metaphors in Ariana Grande’s (2018) music video God is a woman: firstly, with a general analysis of the lyrics and the clip, and secondly with a more detailed examination of a particular scene. The analysis is accomplished with the application of FILMIP (Filmic Metaphor Identification Procedure, Bort-Mir, 2019), which is a procedure with seven steps that serves to identify filmic metaphors. Thanks to this method, several metaphoric filmic elements are found within the clip, supporting the main metaphor GOD IS A WOMAN. [-]
Subject
Description
Treball Final de Grau en Estudis Anglesos. Codi: EA0938. Curs acadèmic: 2018/2019
Type
info:eu-repo/semantics/bachelorThesisRights
http://rightsstatements.org/vocab/CNE/1.0/
info:eu-repo/semantics/restrictedAccess
info:eu-repo/semantics/restrictedAccess
This item appears in the folowing collection(s)
- Grau en Estudis Anglesos [352]