Forging an Image for the Spanish Monarchy in Seventeenth-Century Rome. Habsburg Religiosity and Visual Propaganda
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https://doi.org/10.1080/14682737.2018.1511282 |
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Títol
Forging an Image for the Spanish Monarchy in Seventeenth-Century Rome. Habsburg Religiosity and Visual PropagandaAutoria
Data de publicació
2019-02-26Editor
Taylor & FrancisCita bibliogràfica
GONZÁLEZ TORNEL, Pablo (2018). Forging an Image for the Spanish Monarchy in Seventeenth-Century Rome. Habsburg Religiosity and Visual Propaganda. Hispanic Research Journal, v. 19, Issue 5, p. 481-499Tipus de document
info:eu-repo/semantics/articleVersió de l'editorial
https://www.tandfonline.com/doi/abs/10.1080/14682737.2018.1511282Versió
info:eu-repo/semantics/publishedVersionParaules clau / Matèries
Resum
The militant Catholicism of the Spanish Habsburgs and their need
for the support of the Holy See gave rise to the creation of a solid
model of representation in seventeenth-century Rome in order to
gain papal ... [+]
The militant Catholicism of the Spanish Habsburgs and their need
for the support of the Holy See gave rise to the creation of a solid
model of representation in seventeenth-century Rome in order to
gain papal approval. This model encountered problems when it
came to promoting traditional signs of the nation, such as the
simulacra of the dynasty, as the city lay outside the domains of
the crown. However, the author proposes that in seventeenthcentury Rome the Spanish Monarchy successfully applied a model
of representation based on the national religiosity and articulated
around three core elements: art, festival culture, and printing. [-]
El catolicismo militante de los Habsburgos y su necesidad del
apoyo de la Santa Sede dieron lugar a la creacion de un s olido
modelo de representacion en la Roma del Seiscientos con el
objeto de conseguir la ... [+]
El catolicismo militante de los Habsburgos y su necesidad del
apoyo de la Santa Sede dieron lugar a la creacion de un s olido
modelo de representacion en la Roma del Seiscientos con el
objeto de conseguir la aprobacion papal. Este modelo se enfrent o
a la imposibilidad de emplear s ımbolos tradicionales de la nacion,
como los simulacros din asticos, al estar la ciudad fuera de los
dominios de la monarqu ıa. Sin embargo, el autor propone que,
durante el siglo XVII, la Monarqu ıa de Espana consigui ~ o aplicar
con exito un modelo de representacion basado en la religiosidad
nacional y articulado en torno a tres elementos fundamentales:
las artes, la cultura festiva y la imprenta. [-]
Publicat a
Hispanic Research Journal (2018), v. 19, Issue 5Proyecto de investigación
This work was supported by the Generalitat Valenciana, grant number AICO/2018/055Drets d'accés
http://rightsstatements.org/vocab/CNE/1.0/
info:eu-repo/semantics/restrictedAccess
info:eu-repo/semantics/restrictedAccess
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