Dossiers Feministes_2015_núm.20: Envíos recientes
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Antonio cuestionado: El mercader de Venecia (2004) de Michael Radford y el problema del heterosexismo
Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere (2015)The logical preoccupation with how to represent Shylock after the Holocaust too often prevents addressing in depth other problematic aspects of Shakespeare’s The Merchant of Venice, such as the nature of the intense ... -
El deporte en la animación: una narrativa prejuiciosa
Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere (2015)Throughout life different socialization processes are assumed and we live with different agents of socialization. At present the gradual exposure to information and messages, through the media, leads us to modify the ... -
Otras formas de lo masculino en el cine cubano de los 90: sujetos en emergencias, discurso, memoria, y representación
Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere (2015)An analysis of Cuban male representation in fiction Cuban cinema during 1990´s allows understanding in how Cuban filmography narrates from a gender perspective. A deep economic crisis during that time serves as a starting ... -
Transposición con género: el caso de El inquilino (Belloc – Hitchcock)
Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere (2015)The aim of this article is to examine the adaptation of Marie Belloc’s novel The Lodger (1913) into the film by Alfred Hitchcock (1926) from a gender perspective. Until now, numerous studies have focused on the passage of ... -
Vidas precarias: la política del desplazamiento: The Magdalene Sisters y Rabbit Proof Fence
Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere (2015)The aim of this article is to compare The Magdalene Sisters and Rabbit Proof Fence, two films released in 2002, which exemplify a multicultural world that will be explained through postcolonial theory. These films will ...