El lángido abandono de un poeta parnasiano: Confluencia de estéticas finiseculares en "Joyeles bizantinos" de Antonio Zayas
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Title
El lángido abandono de un poeta parnasiano: Confluencia de estéticas finiseculares en "Joyeles bizantinos" de Antonio ZayasAuthor (s)
Date
2015xmlui.dri2xhtml.METS-1.0.item-edition
post-printPublisher
Universidad de CórdobaISSN
0213-1854Bibliographic citation
NEBOT, Vicente J. NEBOT. El lánguido abandono de un poeta parnasiano: Confluencia de estéticas finiseculares en Joyeles bizantinos de Antonio de Zayas. Alfinge. Revista de Filología, 2015, 27: 77-102.Type
info:eu-repo/semantics/articlePublisher version
https://www.uco.es/ucopress/ojs/index.php/alfinge/article/view/4151Version
info:eu-repo/semantics/publishedVersionSubject
Abstract
Joyeles bizantinos (1902), by the poet Antonio de Zayas (1871-1945), is
one of the most outstanding works based on the modernist renovation. The
poems theme represents a rich sampling of the fin de siècle aesthetic, ... [+]
Joyeles bizantinos (1902), by the poet Antonio de Zayas (1871-1945), is
one of the most outstanding works based on the modernist renovation. The
poems theme represents a rich sampling of the fin de siècle aesthetic, derived
from the Orientalist, islamic and byzantine topics and inspired on the city of
Istanbul-Constantinople, and also on the Parnassian style. The objective of this
work is the study of the Parnassian poetry expressed in the book and the study
of the emotions which could be revealed by the written expression “lánguido
abandono”, made by the author in order to communicate his particular
sensitivity during his stay in the Turkish capital. [-]
Is part of
Alfinge. Revista de Filología, 2015, 27: 77-102Rights
Universidad de Córdoba
info:eu-repo/semantics/openAccess
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