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Las mujeres inmigrantes vistas por el cine español en los albores del siglo XXI
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
Ever since its inception, Spanish cinema has been interested in the different, although you have to wait until the nineties to find films that address the problem of immigration as a central subject. However, many of these ...
Fantasias sobre feminidad, fatalidad y mutación: del cómic al imaginario de la cultura audiovisual
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
X-Men, one of the most popular superhero comic books, is a series based on characters whose powers are the consequence of a genetic mutation. The concepts and plots of the original comic books were successfully adapted to ...
El cuerpo como espacio de escritura de la subjetividad en Beatriz y Los Cuerpos Celestes (1998) de Lucía Etxebarría
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
The past decades have seen the growth of Hispanic fiction characterized by the adoption of a gynocentric vision focused on the body as a space to write subjectivity. This tendency opens the possibility to speculate that, ...
Antonio cuestionado: El mercader de Venecia (2004) de Michael Radford y el problema del heterosexismo
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
The logical preoccupation with how to represent Shylock after the Holocaust too often prevents addressing in depth other problematic aspects of Shakespeare’s The Merchant of Venice, such as the nature of the intense ...
Los discursos fílmicos de las cineastas en España
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
This article analyses the filmic narrative of Spanish women directors from the transition to the democracy, considering its connection with the feminist movement. We shall argue that the discourses of women filmmakers such ...
El deporte en la animación: una narrativa prejuiciosa
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
Throughout life different socialization processes are assumed and we live with different agents of socialization. At present the gradual exposure to information and messages, through the media, leads us to modify the ...
Transposición con género: el caso de El inquilino (Belloc – Hitchcock)
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
The aim of this article is to examine the adaptation of Marie Belloc’s novel The Lodger (1913) into the film by Alfred Hitchcock (1926) from a gender perspective. Until now, numerous studies have focused on the passage of ...
Soledad y no-lugares: la mujer hopperiana en la novela de Jean Rhys. Viaje a la oscuridad
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
During the last decades, the concept of solitude has been articulated by the feminist discourse as an integrating process for women, driving them towards self-analysis beyond gender constructions (Lagarde, 2012). However, ...
La popularización del arquetipo del homosexual en la comedia cinematográfica del tardofranquismo
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
Durante década de los 70 del siglo XX, España experimentó las consecuencias del recrudecimiento represor del tardofranquismo en tensión con el crecimiento visible de las fuerzas de oposición al Régimen. Con este marco de ...
Otras formas de lo masculino en el cine cubano de los 90: sujetos en emergencias, discurso, memoria, y representación
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
An analysis of Cuban male representation in fiction Cuban cinema during 1990´s allows understanding in how Cuban filmography narrates from a gender perspective. A deep economic crisis during that time serves as a starting ...