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dc.contributor.authorArriaga-Sanz, Cristina
dc.contributor.authorCabedo-Mas, Alberto
dc.contributor.authorRipollés Mansilla, Antoni
dc.contributor.authorMoliner Miravet, Lidón
dc.date.accessioned2024-05-27T18:50:51Z
dc.date.available2024-05-27T18:50:51Z
dc.date.issued2024
dc.identifier.citationARRIAGA-SANZ, Cristina, et al. COVID-19: Uses and Perceptions of Music during Lockdown from a Gender Perspective. Social Sciences, 2024, 13.5: 267ca_CA
dc.identifier.issn2076-0760
dc.identifier.urihttp://hdl.handle.net/10234/207519
dc.description.abstractStarting in the middle of March 2020, various lockdown measures and degrees of confine- ment were put in place in most European countries as a result of the COVID-19 pandemic. Although this situation meant that more people were likely to experience poorer mental health, largely due to the imposition of social distancing measures, many individuals incorporated music into their coping routines to help improve their psychological well-being. Using a gender perspective, this study analyzes how individuals used music during lockdown and explores the differences between men’s and women’s views on the impact that listening to and making music has on their perceived level of well-being. A questionnaire, MUSIVID19, was administered to a sample of 1868 participants from all the autonomous regions in Spain. The results reveal that in the uses and perceptions of music, the stereotypes underlying the patriarchal system were also reproduced during confinement.ca_CA
dc.format.extent14 p.ca_CA
dc.format.mimetypeapplication/pdfca_CA
dc.language.isoengca_CA
dc.publisherMDPIca_CA
dc.relation.isPartOfSocial Sciences, 13(5), 267ca_CA
dc.rights© 2024 by the authors. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https://creativecommons.org/licenses/by/4.0/).ca_CA
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/ca_CA
dc.subjectgenderca_CA
dc.subjectmusicca_CA
dc.subjectmusic perceptionsca_CA
dc.subjectCOVID-19ca_CA
dc.titleCOVID-19: Uses and Perceptions of Music during Lockdown from a Gender Perspectiveca_CA
dc.typeinfo:eu-repo/semantics/articleca_CA
dc.identifier.doihttps://doi.org/10.3390/socsci13050267
dc.rights.accessRightsinfo:eu-repo/semantics/openAccessca_CA
dc.relation.publisherVersionhttps://www.mdpi.com/2076-0760/13/5/267ca_CA
dc.type.versioninfo:eu-repo/semantics/publishedVersionca_CA
project.funder.nameMinisterio de Ciencia, Innovación y Universidadesca_CA
project.funder.nameGeneralitat Valencianaca_CA
oaire.awardNumberPID 2020-116198GB-I00ca_CA
oaire.awardNumberCIACO/2021/051ca_CA


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© 2024 by the authors. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https://creativecommons.org/licenses/by/4.0/).
Excepto si se señala otra cosa, la licencia del ítem se describe como: © 2024 by the authors. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https://creativecommons.org/licenses/by/4.0/).