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The Representation of Two Iberian Queens: Luisa of Guzmán and Mariana of Austria

dc.contributor.authorLlorente, Mercedes
dc.date.accessioned2023-10-18T15:13:42Z
dc.date.available2023-10-18T15:13:42Z
dc.date.issued2022-12
dc.identifier.citationMercedes Llorente (2022) The Representation of Two Iberian Queens: Luisa of Guzmán and Mariana of Austria, The Court Historian, 27:3, 245-263, DOI: 10.1080/14629712.2022.2137343ca_CA
dc.identifier.issn1462-9712
dc.identifier.issn2056-3450
dc.identifier.urihttp://hdl.handle.net/10234/204578
dc.description.abstractThis essay will examine and compare some portraits of the Spanish queen Mariana of Habsburg (1634–1696) with others of Luisa of Guzmán (1613–1666), the first Braganza queen of Portugal, in order to explore and identify the roles they played as brides and queen consorts. It also proposes to ascertain how the identity of both women was constructed to portay them as queens. Mariana’s portraits are numerous and varied but the same cannot be said of those of Luisa, as few portraits of this queen remain due to the destruction caused by the Lisbon earthquake in 1755.ca_CA
dc.language.isoengca_CA
dc.publisherTaylor and Francis Groupca_CA
dc.publisherRoutledgeca_CA
dc.relation.isPartOfThe Court Historian, vol. 27, núm. 2, (2022)ca_CA
dc.rights.urihttp://rightsstatements.org/vocab/CNE/1.0/ca_CA
dc.subjectIberian Queensca_CA
dc.subjectCourt Portraitureca_CA
dc.titleThe Representation of Two Iberian Queens: Luisa of Guzmán and Mariana of Austriaca_CA
dc.typeinfo:eu-repo/semantics/articleca_CA
dc.identifier.doi10.1080/14629712.2022.2137343
dc.rights.accessRightsinfo:eu-repo/semantics/openAccessca_CA
dc.type.versioninfo:eu-repo/semantics/publishedVersionca_CA


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