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dc.contributor.authorSorolla Romero, Teresa
dc.date.accessioned2021-05-12T12:16:12Z
dc.date.available2021-05-12T12:16:12Z
dc.date.issued2021-04-13
dc.identifier.citationSorolla-Romero, T. (2021). Iconographies of the present. Political populism, economic instability and migratory crisis in Years and Years (BBC and HBO, 2019). Communication & Society,34(2), 281-296.ca_CA
dc.identifier.issn0214-0039
dc.identifier.issn2386-7876
dc.identifier.urihttp://hdl.handle.net/10234/193116
dc.description.abstractIn its six episodes, the British series Years and Years (2019) calls on images that resonate in the collective imagination of the contemporary media, although some of them have their roots in visual motifs with a strong tradition in Western visual culture. In this article, we attempt to identify these images, representing the political conflicts, social tensions, ecological disasters, and economic uncertainties of the end of the 2010s and beginning of the 2020s, and analyse their transfer from the media to television fiction. Among the references and other motifs analysed are images from the realm of contemporary photography appearing in the press and, for example, at the prestigious World Press Photo event. But an earlier pictorial and cinematographic tradition shows the survival of these visual motifs in the images from Years and Years, interweaving the public sphere with television fiction. Methodologically, we draw on contemporary image theory, including the legacy of Aby Warburg and Walter Benjamin, and textual analysis rooted in semiotics. The visual motifs analysed crystallise around the social unease and humanitarian disasters unleashed by economic and migratory crises, the banalisation of politics in the media, the threat of authoritarian populism and the stylisation of images of war. They include the allegory of freedom and representations of popular revolt and hard times.ca_CA
dc.format.extent16 p.ca_CA
dc.format.mimetypeapplication/pdfca_CA
dc.language.isoengca_CA
dc.publisherUniversidad de Navarraca_CA
dc.relationAnálisis de identidades discursivas en la era de la posverdad. Generación de contenidos audiovisuales para una Educomunicación crítica (AIDEP)ca_CA
dc.relation.isPartOfCommunication & Society, Vol. 34, núm. 2 (2021)ca_CA
dc.rights© 2021 Communication & Society, 34(2), 281-296ca_CA
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectyears and yearsca_CA
dc.subjectTV studiesca_CA
dc.subjectTV seriesca_CA
dc.subjectBBCca_CA
dc.subjectHBOca_CA
dc.subjectVisual Motifsca_CA
dc.subjectVisual Cultureca_CA
dc.titleIconographies of the present. Political populism, economic instability and migratory crisis in Years and Years(BBC and HBO, 2019)ca_CA
dc.typeinfo:eu-repo/semantics/articleca_CA
dc.identifier.doihttps://doi.org/10.15581/003.34.2.281-296
dc.rights.accessRightsinfo:eu-repo/semantics/openAccessca_CA
dc.relation.publisherVersionhttps://revistas.unav.edu/index.php/communication-and-society/article/view/40810ca_CA
dc.type.versioninfo:eu-repo/semantics/publishedVersionca_CA
project.funder.nameUniversitat Jaume Ica_CA
oaire.awardNumber18I390.01/1ca_CA


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© 2021 Communication & Society, 34(2), 281-296
Excepto si se señala otra cosa, la licencia del ítem se describe como: © 2021 Communication & Society, 34(2), 281-296