The Immaculate Conception with the Jurors of Valencia (1662). The fusion between sacred and secular painting in Seventeenth-century Spain
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Título
The Immaculate Conception with the Jurors of Valencia (1662). The fusion between sacred and secular painting in Seventeenth-century SpainAutoría
Fecha de publicación
2020-08Editor
Ecozone PublishingCita bibliográfica
GONZÉZ TORNEL, Pablo (2020). The Immaculate Conception with the Jurors of Valencia (1662). The fusion between sacred and secular painting in Seventeenth-century Spain. European Journal of Science and Theology, v. 16, n. 4, p. 193- 202Tipo de documento
info:eu-repo/semantics/articleVersión de la editorial
http://www.ejst.tuiasi.ro/issue16.htmlVersión
info:eu-repo/semantics/publishedVersionResumen
This article compiles some of the results of the multidisciplinary research project
dedicated to the analysis of ‘The Immaculate Conception with the Jurors of Valencia’, oil
on canvas painted between 1662 and 1663 ... [+]
This article compiles some of the results of the multidisciplinary research project
dedicated to the analysis of ‘The Immaculate Conception with the Jurors of Valencia’, oil
on canvas painted between 1662 and 1663 by Jerónimo Jacinto de Espinosa. The picture
has been analysed in various different ways, but what is presented here is fundamentally
the historical and documentary aspect of the research. This will involve a description and
analysis of the documentation related to the commission of the painting, which will be
framed within the wider context of seventeenth-century Valencia and its place in the
system of kingdoms making up the Spanish Monarchy. The objective is to reconstruct the
socio-historical circumstances surrounding the gestation of a painting that has traditionally
been classed as religious. Nevertheless, it will be shown that Espinosa’s work lies on the
permeable border between the sacred and the secular and is a clear example of the
frequent fusion of the two worlds in seventeenth-century Spain [-]
Publicado en
European Journal of Science and Theology (2020), v. 16, n. 4Proyecto de investigación
Research project The Immaculate Conception and the Jurors of the City of Valencia (1662). Historical and Technical Analysis, Revaluation and Proposals for Conservation (AICO/2018/055), financed by the Conselleria d’Educació, Investigació, Cultura i Esport de la Generalitat Valenciana.Derechos de acceso
http://rightsstatements.org/vocab/CNE/1.0/
info:eu-repo/semantics/openAccess
info:eu-repo/semantics/openAccess
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