Vocal piano accompaniment: A constant research towards emancipation (1)
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Vocal piano accompaniment: A constant research towards emancipation (1)Fecha de publicación
2020-03Editor
Science Publishing GroupCita bibliográfica
PEÑALVER VILAR, José María; VALLÉS GRAU, Luis (2020). Vocal piano accompaniment: A constant research towards emancipation (1). English Language, Literature & Culture, v. 5, n. 1, p.13-24Tipo de documento
info:eu-repo/semantics/articleVersión de la editorial
http://www.sciencepublishinggroup.com/journal/paperinfo?journalid=195&doi=10.116 ...Versión
info:eu-repo/semantics/publishedVersionPalabras clave / Materias
Resumen
This article represents the first one in a series of two that investigate the evolution of vocal piano
accompaniment through history and the role of the piano in its relationship with the voice. The research method ... [+]
This article represents the first one in a series of two that investigate the evolution of vocal piano
accompaniment through history and the role of the piano in its relationship with the voice. The research method used is
musical analysis focused on the piano part, both in itself and its link with the text and the vocal part. The research
method used is musical analysis centred on the piano part, both in itself and its link with the text and the vocal part.
Initially, some preliminary questions necessary to establish a starting point around the piano accompaniment are
addressed. Then, by means of musical examples of different composers following a chronological order, the article
investigates all those aspects that provide evidence of the change in the role of the piano in the correspondence between
the piano and the voice. In this way we will observe the trajectory of piano accompaniment to the voice and we will see
how Schubert conceived the piano in vocal works with piano accompaniment. This new conception will influence both
contemporary and later composers. The treatment of this influence will be dealt with in the second article. In the present
article we will establish the basis of the functioning of piano accompaniment in compositions prior to Schubert, starting
from the Ancient Italian aria (the beginnings of piano accompaniment) to his first lieder. We will observe the different
dialogue between voice and piano that starts from the dependence of the piano in the beginnings towards its participation
in the final result of the work with a decisive role. Schubert will articulate this drift, as will be seen. However, the results
and conclusions, taking into account the whole evolutionary perspective of piano accompaniment, will be presented in
the second article. [-]
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English Language, Literature & Culture (2020), v. 5 n. 1Derechos de acceso
info:eu-repo/semantics/openAccess
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