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El cuerpo como espacio de escritura de la subjetividad en Beatriz y Los Cuerpos Celestes (1998) de Lucía Etxebarría
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
The past decades have seen the growth of Hispanic fiction characterized by the adoption of a gynocentric vision focused on the body as a space to write subjectivity. This tendency opens the possibility to speculate that, ...
Representaciones femeninas a través del cine musical hollywoodiense en la España de los años 50
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
This article aims to approximate systems of representation of the feminine through the Hollywood musical films exhibited in Spain during the 50s, using tools such as cultural and gender history, considering that the musical ...
Las mujeres inmigrantes vistas por el cine español en los albores del siglo XXI
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
Ever since its inception, Spanish cinema has been interested in the different, although you have to wait until the nineties to find films that address the problem of immigration as a central subject. However, many of these ...
Fantasias sobre feminidad, fatalidad y mutación: del cómic al imaginario de la cultura audiovisual
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
X-Men, one of the most popular superhero comic books, is a series based on characters whose powers are the consequence of a genetic mutation. The concepts and plots of the original comic books were successfully adapted to ...
La adaptación cinematográfica desde una perspectiva de género: Bridget Jones´s Diary
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
La obra de Helen Fielding, Bridget Jones´s Diary, es una de las 10 novelas que mejor reflejan la sociedad de finales del siglo XX, según un estudio llevado a cabo por el periódico The Guardian. El gran éxito de esta obra, ...
Narradoras en tránsito. Voces propias de escritoras nacidas en los 70
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
Spanish women writers born in the 70´s form a «fourth wave» in the narrative written by women from 1939 until today. These authors are the first who grow at the dawn of the democracy and they lived the development and ...
La configuración del personaje galdosiano de Fortunata desde una instancia receptora femenina
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
From hermeneutics and reception theory and feminist studies, this article focuses on the reading of galdosian Fortunata character from a gendered and generic perspective. Beyond neutrality and objectivity of the receiver ...
Del Baztán a México. A Amaia y a Lupita les gustaba ser policías
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
El texto compara las novelas «policiacas» de dos autoras contemporáneas como son Dolores Redondo y su trilogía del Baztán y Laura Esquivel y su relato sobre Lupita, una policía mexicana.
En cuanto a las diferencias cabe ...
Angelina Beloff y Leonora Carrington bajo la mirada de Elena Poniatowska
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
This research focuses on the look that one of the great writers of our time, the Mexican Elena Poniatowska (Paris, 1932), gives to artists such as the Russian painter and engraver Angelina Petrovna Belova, commonly called ...
Soledad y no-lugares: la mujer hopperiana en la novela de Jean Rhys. Viaje a la oscuridad
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
During the last decades, the concept of solitude has been articulated by the feminist discourse as an integrating process for women, driving them towards self-analysis beyond gender constructions (Lagarde, 2012). However, ...