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Los discursos fílmicos de las cineastas en España
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
This article analyses the filmic narrative of Spanish women directors from the transition to the democracy, considering its connection with the feminist movement. We shall argue that the discourses of women filmmakers such ...
Estereotipos de género presentes en el cine y la literatura. Análisis de los personajes masculinos y femeninos de la saga Crepúsculo
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
Nowadays, to talk about cinema means to accept it as a powerful way to transmit information. Also, cinema is a means of transmission of contents of various types, at the same time that it has wide acceptance among the ...
El cuerpo como espacio de escritura de la subjetividad en Beatriz y Los Cuerpos Celestes (1998) de Lucía Etxebarría
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
The past decades have seen the growth of Hispanic fiction characterized by the adoption of a gynocentric vision focused on the body as a space to write subjectivity. This tendency opens the possibility to speculate that, ...
Transposición con género: el caso de El inquilino (Belloc – Hitchcock)
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
The aim of this article is to examine the adaptation of Marie Belloc’s novel The Lodger (1913) into the film by Alfred Hitchcock (1926) from a gender perspective. Until now, numerous studies have focused on the passage of ...
Representaciones femeninas a través del cine musical hollywoodiense en la España de los años 50
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
This article aims to approximate systems of representation of the feminine through the Hollywood musical films exhibited in Spain during the 50s, using tools such as cultural and gender history, considering that the musical ...
Soledad y no-lugares: la mujer hopperiana en la novela de Jean Rhys. Viaje a la oscuridad
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
During the last decades, the concept of solitude has been articulated by the feminist discourse as an integrating process for women, driving them towards self-analysis beyond gender constructions (Lagarde, 2012). However, ...
La popularización del arquetipo del homosexual en la comedia cinematográfica del tardofranquismo
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
Durante década de los 70 del siglo XX, España experimentó las consecuencias del recrudecimiento represor del tardofranquismo en tensión con el crecimiento visible de las fuerzas de oposición al Régimen. Con este marco de ...
Sobre el género y géneros: una lectura feminista de los juegos del hambre
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
The beginning of the 21st century has witnessed the success of young adult literature, particularly in the form of sagas adapted to the screen which, with their expanded universes, have turned into mass phenomena with the ...
Antonio cuestionado: El mercader de Venecia (2004) de Michael Radford y el problema del heterosexismo
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
The logical preoccupation with how to represent Shylock after the Holocaust too often prevents addressing in depth other problematic aspects of Shakespeare’s The Merchant of Venice, such as the nature of the intense ...
El deporte en la animación: una narrativa prejuiciosa
(Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere, 2015)
Throughout life different socialization processes are assumed and we live with different agents of socialization. At present the gradual exposure to information and messages, through the media, leads us to modify the ...