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Pearl Cleage: entre la esperanza y la desesperación
dc.contributor.author | Pineda Hernández, Inmaculada | |
dc.date.accessioned | 2015-10-30T12:46:59Z | |
dc.date.available | 2015-10-30T12:46:59Z | |
dc.date.issued | 2012 | |
dc.identifier.issn | 1132-8231 | |
dc.identifier.issn | 2340-4795 | |
dc.identifier.uri | http://hdl.handle.net/10234/137849 | |
dc.description.abstract | El presente artículo analiza el desarrollo que Pearl Cleage hace de la oposición binaria esperanza- desesperación en su obra teatral. Se describe brevemente la vida de esta dramaturga negra contemporánea y se estudian una a una sus cuatro obras teatrales más importantes: Chain, Blues for an Alabama Sky, Bourbon at the Border y Flyin’ West. Además, se mencionan varias de sus obras menores, como son Late Bus to Mecca, A Song for Coretta y The Nacirema Society Requests the Honor of Your Presence at a Celebration of Their First One Hundred Years. El estudio de la obra de Cleage se hace desde el marco teórico generado por el feminismo afroamericano contemporáneo y se contrasta su obra teatral con la de otras dramaturgas negras actuales. | ca_CA |
dc.description.abstract | The current essay analyses the development of the binary opposition hope-despair that Pearl Cleage does in her dramatic texts. The life of this contemporary African American playwright is described briefly, and her four most important plays are analysed: Chain, Blues for an Alabama Sky, Bourbon at the Border, and Flyin’ West. Several of her other minor works are also mentioned: Late Bus to Mecca, A Song for Coretta, and The Nacirema Society Requests the Honor of Your Presence at a Celebration of Their First One Hundred Years. The current essay studies Cleage’s work using African American feminism as a theoretical framework, and it contrasts her theatrical work with that of other contemporary African American women playwrights. | ca_CA |
dc.format.mimetype | application/pdf | ca_CA |
dc.language.iso | spa | ca_CA |
dc.publisher | Publicacions de la Universitat Jaume I | ca_CA |
dc.relation.isPartOf | Asparkía: investigació feminista. Núm.: 23 | ca_CA |
dc.rights.uri | http://creativecommons.org/licenses/by-sa/4.0/ | * |
dc.subject | feminismo negro | ca_CA |
dc.subject | dramaturgas afroamericanas contemporáneas | ca_CA |
dc.subject | denuncia del racismo y el sexismo | ca_CA |
dc.subject | esperanza-desesperación | ca_CA |
dc.subject | contemporary African American women playwrights | ca_CA |
dc.subject | denunciation against racism and sexism | ca_CA |
dc.subject | hope-despair | ca_CA |
dc.subject | black feminist thought | ca_CA |
dc.title | Pearl Cleage: entre la esperanza y la desesperación | ca_CA |
dc.title.alternative | Pearl Cleage: Torn Between Hope and Despair | ca_CA |
dc.type | info:eu-repo/semantics/article | ca_CA |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | ca_CA |
dc.relation.publisherVersion | http://www.e-revistes.uji.es/index.php/asparkia/article/view/573/484 | ca_CA |
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Asparkía_2012_núm.23 [25]