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dc.contributor.authorMartín Félez, Raúl
dc.contributor.authorMollineda, Ramón A.
dc.contributor.authorGarcía, Vicente
dc.date.accessioned2011-07-14T10:35:33Z
dc.date.available2011-07-14T10:35:33Z
dc.date.issued2009
dc.identifier.issn0302-9743
dc.identifier.urihttp://hdl.handle.net/10234/25744
dc.description.abstractIn this paper, the problem of identifying the melodic track of a MIDI file in imbalanced scenarios is addressed. A polyphonic MIDI file is a digital score that consists of a set of tracks where usually only one of them contains the melody and the remaining tracks hold the accompaniment. This leads to a two-class imbalance problem that, unlike in previous work, is managed by over-sampling the melody class (the minority one) or by under-sampling the accompaniment class (the majority one) until both classes are the same size. Experimental results over three different music genres prove that learning from balanced training sets clearly provides better results than the standard classification process
dc.format.extent9 p.
dc.language.isoeng
dc.publisherSpringer Verlag (Germany)
dc.relation.isPartOfLecture notes in computer science, vol. 5524 (2009)
dc.rights© Springer Verlag (Germany)
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/*
dc.subjectMelody finding
dc.subjectMusic information retrieval
dc.subjectClass imbalance problem
dc.subjectClassification
dc.subject.lcshMelody--Identification--Data processing
dc.subject.lcshArtificial intelligence--Musical applications
dc.subject.otherMelodia--Identificació--Informàtica
dc.subject.otherIntel·ligència artificial--Aplicacions a la música
dc.titleMelodic track identification in MIDI files considering the imbalanced context
dc.typeinfo:eu-repo/semantics/article
dc.identifier.doihttp://dx.doi.org/10.1007/978-3-642-02172-5_63
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess
dc.type.versioninfo:eu-repo/semantics/submittedVersion


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