Individual differences in music reward sensitivity influence the perception of emotions represented by music
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Otros documentos de la autoría: Fuentes Sánchez, Nieves; Pastor, M. Carmen; Eerola, Tuomas; Pastor Medall, Raúl
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Mostrar el registro completo del ítemcomunitat-uji-handle:10234/9
comunitat-uji-handle2:10234/8033
comunitat-uji-handle3:10234/8636
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Título
Individual differences in music reward sensitivity influence the perception of emotions represented by musicFecha de publicación
2021-12-15Editor
SAGE Publications; European Society for the Cognitive Sciences of MusicISSN
1029-8649; 2045-4147Cita bibliográfica
Fuentes-Sánchez, N., Pastor, M. C., Eerola, T., & Pastor, R. (2021). Individual differences in music reward sensitivity influence the perception of emotions represented by music. Musicae ScientiaeTipo de documento
info:eu-repo/semantics/articleVersión
info:eu-repo/semantics/submittedVersionPalabras clave / Materias
Resumen
Although music is one of the most important sources of pleasure for many people, there are considerable individual differences in music reward sensitivity. Behavioral and neurobiological characterizations of music ... [+]
Although music is one of the most important sources of pleasure for many people, there are considerable individual differences in music reward sensitivity. Behavioral and neurobiological characterizations of music reward variability have been topics of increasing scientific interest over the last two decades. However, it is not clear how differences in music reward sensitivity might influence the perception of emotions represented by music and, specifically, how music reward sensitivity could influence subjective music evaluation when the affective valence of music is considered. In the present study, we investigated the relationship between music reward sensitivity and the perception of emotions in music, taking into account the emotional category of stimuli (pleasant, neutral, or unpleasant music clips). Music reward and emotion perception were also explored as a function of gender, musicianship, and music discrimination skills. We used the Barcelona Music Reward Questionnaire and the previously validated Film Music Stimulus Set (FMSS); participants rated FMSS excerpts for affective dimensions (valence, energy, and tension arousal) and discrete emotions (happiness, anger, fear, tenderness, and sadness). Our results showed that music reward was the main factor influencing FMSS evaluation, particularly for excerpts associated with positive affect. Gender had an important influence on evaluations linked to the negative pole of emotions, and music discrimination skills seemed to be associated with cognitive aspects of music analysis, rather than with the emotional architecture of pleasant music excerpts. Our findings highlight the need to consider music reward sensitivity and gender in studies of music and emotion, and open the possibility of using the FMSS in studies exploring the neurobiological and psychosocial bases of music emotion. [-]
Publicado en
Musicae Scientiae 2021Entidad financiadora
Generalitat Valenciana | Universitat Jaume I
Código del proyecto o subvención
ACIF/2018/240 | UJI-B2019-34
Derechos de acceso
http://rightsstatements.org/vocab/InC/1.0/
info:eu-repo/semantics/openAccess
info:eu-repo/semantics/openAccess
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