El lángido abandono de un poeta parnasiano: Confluencia de estéticas finiseculares en "Joyeles bizantinos" de Antonio Zayas
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Título
El lángido abandono de un poeta parnasiano: Confluencia de estéticas finiseculares en "Joyeles bizantinos" de Antonio ZayasAutoría
Fecha de publicación
2015xmlui.dri2xhtml.METS-1.0.item-edition
post-printEditor
Universidad de CórdobaISSN
0213-1854Cita bibliográfica
NEBOT, Vicente J. NEBOT. El lánguido abandono de un poeta parnasiano: Confluencia de estéticas finiseculares en Joyeles bizantinos de Antonio de Zayas. Alfinge. Revista de Filología, 2015, 27: 77-102.Tipo de documento
info:eu-repo/semantics/articleVersión de la editorial
https://www.uco.es/ucopress/ojs/index.php/alfinge/article/view/4151Versión
info:eu-repo/semantics/publishedVersionPalabras clave / Materias
Resumen
Joyeles bizantinos (1902), by the poet Antonio de Zayas (1871-1945), is
one of the most outstanding works based on the modernist renovation. The
poems theme represents a rich sampling of the fin de siècle aesthetic, ... [+]
Joyeles bizantinos (1902), by the poet Antonio de Zayas (1871-1945), is
one of the most outstanding works based on the modernist renovation. The
poems theme represents a rich sampling of the fin de siècle aesthetic, derived
from the Orientalist, islamic and byzantine topics and inspired on the city of
Istanbul-Constantinople, and also on the Parnassian style. The objective of this
work is the study of the Parnassian poetry expressed in the book and the study
of the emotions which could be revealed by the written expression “lánguido
abandono”, made by the author in order to communicate his particular
sensitivity during his stay in the Turkish capital. [-]
Publicado en
Alfinge. Revista de Filología, 2015, 27: 77-102Derechos de acceso
Universidad de Córdoba
info:eu-repo/semantics/openAccess
info:eu-repo/semantics/openAccess
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