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dc.contributor.authorBenet-Ferrando, Vicente J.
dc.date.accessioned2013-06-17T10:13:49Z
dc.date.available2013-06-17T10:13:49Z
dc.date.issued2012-04
dc.identifier.urihttp://hdl.handle.net/10234/67238
dc.description.abstractJavier Aguirre made a series of eight experimental films that be called Anti-cine during the late 1960s and early 1970s. Along with the films, he published a book in which he elucidates what is references were in his search for film form. He explains that his notion of revolution, breaking away from standard conventions and experimentation with expressive ressources all came together to create meaning in his abstract and nearly always non-figurative films. The article here looks at these characteristics in his films and analyzes the relationship in them between formal experimentation and revolutionary practicesca_CA
dc.format.extent13 p.ca_CA
dc.format.mimetypeapplication/pdfca_CA
dc.language.isospaca_CA
dc.publisherInstituto Valenciano de Cinematografíaca_CA
dc.relation.isPartOfArchivos de la Filmoteca, n. 69 (Abril 2012)ca_CA
dc.rights.urihttp://rightsstatements.org/vocab/CNE/1.0/*
dc.subjectJavier Aguirreca_CA
dc.subjectAnti-cinemaca_CA
dc.subjectOp-artca_CA
dc.subjectExperimental filmsca_CA
dc.subjectPolitical filmsca_CA
dc.titleAgresión, experimentación, revolución: notas sobre el anticine de Javier Aguirreca_CA
dc.typeinfo:eu-repo/semantics/articleca_CA
dc.rights.accessRightsinfo:eu-repo/semantics/openAccessca_CA
dc.relation.publisherVersionhttp://www.archivosdelafilmoteca.com/index.php/archivos/article/view/40ca_CA


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