• openAccess   Las mujeres inmigrantes vistas por el cine español en los albores del siglo XXI 

      Cruzado Rodríguez, Ángeles Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere (2015)
      Ever since its inception, Spanish cinema has been interested in the different, although you have to wait until the nineties to find films that address the problem of immigration as a central subject. However, many of these ...
    • openAccess   Los discursos fílmicos de las cineastas en España 

      Guillamón Carrasco, Silvia Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere (2015)
      This article analyses the filmic narrative of Spanish women directors from the transition to the democracy, considering its connection with the feminist movement. We shall argue that the discourses of women filmmakers such ...
    • openAccess   Narradoras en tránsito. Voces propias de escritoras nacidas en los 70 

      Pérez Alonso, Jesús Eloy Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere (2015)
      Spanish women writers born in the 70´s form a «fourth wave» in the narrative written by women from 1939 until today. These authors are the first who grow at the dawn of the democracy and they lived the development and ...
    • openAccess   Narrativas en clave de género 

      Sales, Dora; Dos Ramos, Manolo; Valero Valero, Dori Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere (2015)
      Texto completo del número 20 de la revista Dossiers Feministes . Monográfico editado por Dora Sales, Manolo Dos y Dori Valero, bajo el título «Narrativas en clave de género»
    • openAccess   Otras formas de lo masculino en el cine cubano de los 90: sujetos en emergencias, discurso, memoria, y representación 

      Barrios Mesa, Reinier Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere (2015)
      An analysis of Cuban male representation in fiction Cuban cinema during 1990´s allows understanding in how Cuban filmography narrates from a gender perspective. A deep economic crisis during that time serves as a starting ...
    • openAccess   La popularización del arquetipo del homosexual en la comedia cinematográfica del tardofranquismo 

      Mora Gaspar, Víctor Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere (2015)
      Durante década de los 70 del siglo XX, España experimentó las consecuencias del recrudecimiento represor del tardofranquismo en tensión con el crecimiento visible de las fuerzas de oposición al Régimen. Con este marco de ...
    • openAccess   Representaciones femeninas a través del cine musical hollywoodiense en la España de los años 50 

      Cánovas Ortega, Mª Carmen Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere (2015)
      This article aims to approximate systems of representation of the feminine through the Hollywood musical films exhibited in Spain during the 50s, using tools such as cultural and gender history, considering that the musical ...
    • openAccess   «She won’t thank you, she’s mad»: la escisión de la feminidad victoriana en The French Lieutenant’s Woman (Karel Reisz, 1981) 

      Sorolla Romero, Teresa; Medina-Vicent, Maria Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere (2015)
      The French Lieutenant’s Woman (Karel Reisz, 1981), an adaptation of the novel by John Fowles published in 1969, is set in a divergent space both as regards of the structure of the story as to the construction of its lead ...
    • openAccess   Sobre el género y géneros: una lectura feminista de los juegos del hambre 

      Menéndez Menéndez, María Isabel; Fernández Morales, Marta Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere (2015)
      The beginning of the 21st century has witnessed the success of young adult literature, particularly in the form of sagas adapted to the screen which, with their expanded universes, have turned into mass phenomena with the ...
    • openAccess   Soledad y no-lugares: la mujer hopperiana en la novela de Jean Rhys. Viaje a la oscuridad 

      Carbayo López de Pablo, Teresa Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere (2015)
      During the last decades, the concept of solitude has been articulated by the feminist discourse as an integrating process for women, driving them towards self-analysis beyond gender constructions (Lagarde, 2012). However, ...
    • openAccess   Transposición con género: el caso de El inquilino (Belloc – Hitchcock) 

      Gutiérrez Estupiñán, Raquel Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere (2015)
      The aim of this article is to examine the adaptation of Marie Belloc’s novel The Lodger (1913) into the film by Alfred Hitchcock (1926) from a gender perspective. Until now, numerous studies have focused on the passage of ...
    • openAccess   Vidas precarias: la política del desplazamiento: The Magdalene Sisters y Rabbit Proof Fence 

      Álvarez Sánchez, Patricia Universitat Jaume I. Institut Universitari d'Estudis Feministes i de Gènere (2015)
      The aim of this article is to compare The Magdalene Sisters and Rabbit Proof Fence, two films released in 2002, which exemplify a multicultural world that will be explained through postcolonial theory. These films will ...