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dc.contributorPrado Pérez, José Ramón
dc.contributor.authorTormo Peña, Ángela
dc.contributor.otherUniversitat Jaume I. Departament d'Estudis Anglesos
dc.date.accessioned2015-08-27T11:32:56Z
dc.date.available2015-08-27T11:32:56Z
dc.date.issued2015-06-22
dc.identifier.urihttp://hdl.handle.net/10234/130267
dc.descriptionTreball final de Grau en Estudis Anglesos. Codi: EA0938. Curs acadèmic 2014-2015ca_CA
dc.description.abstractThe concept of Magic Realism has been an abstract genre since Franz Rho coined the term in 1920, after a group of painters needed it in order to describe their new style of painting. It is interesting to study the different perspectives related to one single term, because it has been creating confusion among artists since lots of theories arose as different writers have been investigating the concept. However, there is not a common agreement in order to define the artistic movement. The purpose of this work is to study the different perspectives that have been presented until the current times. Then, in order to complement the study two stories written by Angela Carter that can be found in her collection of stories “The Bloody Chamber” have been analysed.ca_CA
dc.format.extent25, 3 p.ca_CA
dc.format.mimetypeapplication/pdfca_CA
dc.language.isoengca_CA
dc.publisherUniversitat Jaume Ica_CA
dc.rights.urihttp://rightsstatements.org/vocab/CNE/1.0/*
dc.subjectGrau en Estudis Anglesosca_CA
dc.subjectGrado en Estudios Inglesesca_CA
dc.subjectBachelor's Degree in English Studiesca_CA
dc.subjectMagic realismca_CA
dc.subjectNew objectivityca_CA
dc.subjectPostmodernismca_CA
dc.subjectSurrealismca_CA
dc.titleMagic realism in Angela Carter's stories: "The Bloody Chamber" and "The Lady of the House of Love"ca_CA
dc.typeinfo:eu-repo/semantics/bachelorThesisca_CA
dc.educationLevelEstudios de Gradoca_CA
dc.rights.accessRightsinfo:eu-repo/semantics/restrictedAccessca_CA


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