CLR_2008_núm.6http://hdl.handle.net/10234/391212024-03-29T12:56:13Z2024-03-29T12:56:13ZReseñasSin datoshttp://hdl.handle.net/10234/399752017-02-20T23:46:31Z2008-01-01T00:00:00ZReseñas
Sin datos
2008-01-01T00:00:00ZPosthuman Perspectives and Postdramatic Theatre: the Theory and Practice of Hybrid Ontology in Katie Mitchell’s The WavesLepage, Louisehttp://hdl.handle.net/10234/399722017-02-20T23:46:31Z2008-01-01T00:00:00ZPosthuman Perspectives and Postdramatic Theatre: the Theory and Practice of Hybrid Ontology in Katie Mitchell’s The Waves
Lepage, Louise
2008-01-01T00:00:00ZFrom Intermedial Music to Interactive Multimedia Event: the Performance of Ravel’s MiroirsCrapoulet, Emiliehttp://hdl.handle.net/10234/399712017-02-20T23:46:31Z2008-01-01T00:00:00ZFrom Intermedial Music to Interactive Multimedia Event: the Performance of Ravel’s Miroirs
Crapoulet, Emilie
2008-01-01T00:00:00ZBlack to White: the Fading Process of Intermediality in the Gallery SpaceSavage, Karenhttp://hdl.handle.net/10234/399742017-02-20T23:46:31Z2008-01-01T00:00:00ZBlack to White: the Fading Process of Intermediality in the Gallery Space
Savage, Karen
2008-01-01T00:00:00Z