2024-03-29T11:52:20Zhttps://repositori.uji.es/oai/requestoai:repositori.uji.es:10234/1663582024-02-01T08:57:24Zcom_10234_8019com_10234_9com_10234_8013com_10234_618com_10234_158177com_10234_10col_10234_8633col_10234_8014col_10234_166200
Repositori UJI
author
Sorolla Romero, Teresa
author
Medina-Vicent, Maria
2017-03-01T09:01:58Z
2017-03-01T09:01:58Z
2015
SOROLLA ROMERO, Teresa; MEDINA-VICENT, Maria. «She won’t thank you, she’s mad»: la escisión de la feminidad victoriana en The French Lieutenant’s Woman (Karel Reisz, 1981). Dossiers feministes, 2015, no 20, p. 321-335.
1139-12192340-4930
http://hdl.handle.net/10234/166358
The French Lieutenant’s Woman (Karel Reisz, 1981), an adaptation of the novel by John Fowles published in 1969, is set in a divergent space both as regards of the structure of the story as to the construction of its lead Sarah Woodruff. Throughout the text different cinematic approaches to the representation of women are interwoven, the eager male gaze and her own aspirations to self-determination all tangled up. At the same time, the present work deconstructs the melodrama, giving living proof of the infinite possibilities in unfolding the film’s discourse, deeply self-conscious.El film The French Lieutenants’s Woman (Karel Reisz, 1981), adaptación de la novela publicada por John Fowles en 1969, nos sitúa en un espacio divergente tanto en lo que se refiere a la estructura del relato como a la construcción de su protagonista Sarah Woodruff. A lo largo del texto fílmico se entrelazan diferentes aproximaciones a la figura de la mujer, entretejiéndose la mirada deseosa masculina con sus propias aspiraciones de autodeterminación. A su vez, la presente obra deconstruye el género melodramático dando muestra de las infinitas posibilidades de doblegar el relato cinematográfico, que se piensa a sí mismo descubriéndose como profundamente metadiscursivo.
spa
metadiscursividad
intertextualidad
época victoriana
fallen woman
contrato sexual
derecho al mal
metacinema
intertextuality
the victorian age
fallen woman
the sexual contract
meanness
«She won’t thank you, she’s mad»: la escisión de la feminidad victoriana en The French Lieutenant’s Woman (Karel Reisz, 1981)
info:eu-repo/semantics/article
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